Shakespeare in the Sound and the Fury Essay -- Sound and the Fury Essa

Shakespeare in the Sound and the rabidness The Tomorrow soliloquy in Act V, scene v of the Shakespearean tragedy Macbeth provides central theme and imagery for The Sound and the Fury. Faulkner may or may not agree with this bleak, nihilistic characterization of life, moreover he does examine the characterization extensively. Tomorrow, and tomorrow, and tomorrow Creeps in this petty curtilage from day to day To the last syllable of recorded time And all our yesterdays flummox lighted fools The way to dusty death. Out, out brief candle Lifes but a walking shadow, a poor player, That struts and frets his hour upon the stage And so is heard no more. It is a tale Told by an idiot, full of right and fury, Signifying nothing (Shakespeare 177-8). The passage suggests man is mortal while time is immortal. clock maintains its pace independently of mans actions it creeps through man-made institutions eventually pencil lead to mans death. However, time maintains indiffere nce towards man. Life spans are infinitesimal in equivalence to the smallest division of time. In reality, the significance man ascribes to human existence is absurd life has no significance. Life is merely a brief chronological sequence of strutting and fretting, full of sound and fury, . . . signifying nothing. Every section of the Sound and the Fury relates to Macbeths speech. distributively narrator presents life as full of sound and fury, represented in futile actions and dialogue. Benjy, Quentin, Jason, and Dilsey all emit constant wor... ... Faulkners views on life, a say contrast to Macbeths. After hundreds of pages of examining Shakespeares passage, Faulkner concludes his work with an uplifting transcendence of nihilism. Faulkner leaves the reader with hope, the substance of meaning yet to come. Works Cited Commentary. The Sound and the Fury. Olemiss Resources http//www.mcsr.olemiss.edu/egjbp/faulkner/n-sf.html Faulkner, William. The Sound and the Fury. New Yor k vintage Books, 1984. Harold, Brent. The Volume and Limitations of Faulkners Fictional Method. Contemporary Literary Criticism. Vol. 11, 1975. Irwin, John T. A notional Reading of Faulkner Contemporary Literary Criticism, Vol. 14, 1975. Shakespeare, William. Macbeth. New York Washington Square Press, 1992.