Sonnet 69 :: essays research papers fc

praise 65(Shakespeare)1 Since impertinence, nor stone, nor boundless sea, 2 But sad deathrate oer-sways their power,3 How with this rage shall beauty hold a plea,4 Whose action is no gruelinger than a flower?5 O how shall summertimes honey breath hold come out of the closet,6 Against the wreckful siege of batt rabble days7 When rocks impregnable are not so stout,8 Nor gates of steel so strong, but time decays?9 O fearful meditation Where, alack, 10 Shall times best beautify from times chest lie hid?11 Or what strong hand can hold his swift foot back,12 Or who his spoil oer beauty can forbid?13 O none, unless this miracle have might14That in black sign my love may still shine bright. Withstanding Mortality by means of penMelissa ZyduckExplication 1Sonnet 65CarducciFeb. 21st, 2001Sonnets are rhymed poems consisting of fourteen lines, the first eight making up the octet and the last hexad lines being the sestet. The basic bodily structure of the sonnet arose in medieval Italy, its most prominent exponent being the Early Renaissance poet, Petrarch. The appearance of the side of meat Sonnet, however, occurred when Shakespeare was an adolescent, around 1580 (Moore and Charmaine 1). Although it is named after him, Shakespeare did not originate the side of meat sonnet form. The English sonnet differs slightly from the Italian, or Petrarchian, Sonnet and the Spenserian Sonnet in that it ends with a rhymed couplet and follows the rhyme scheme (abab cdcd efef gg). Thus, the octet/sestet structure can be alternatively divided into three quatrains with alternating rhymes and terminus in a rhymed couplet. William Shakespeares Sonnet 65 is get going of a sequence of one hundred and fifty-four sonnets allegedly write sometime between 1592 and May of 1609 (Duncan 13 Moore and Charmine 1). In sonnets 1 through 126, the speaker addresses a young man often referred to as the Youth, and in sonnets 127 through 154, a woman, or Dark Lady, is addressedSonnet 65 is also p art of a unit with Sonnet 64 (Best 1), the deuce coming together to form their own fearful meditation (9) on time and ruin reaping youth and beauty from the world and leaving barely cold death (Cooney 3).Shakespeare opens the poem with the speaker listing paradigms of the eagle-eyed-lasting substances brass and stone (1). Earth and boundless sea (1) are also long lasting, but are superior in that they are nearly unlimited in extent. All of these elements, by their nature, should be capable of holding out against sad mortality (2), but none of them are free of its trading operations (Duncan, 240) as it oer-sways their power (2).